forty rusty screws

The studio roof is now fixed and the culprits, 40 rusty screws, is a current work in progress (apparently 95% of the leaks in metal roofs are due to poorly fitted screws, which rust and let water through) 

The opening quotation comes from my published notes in 2019, when I began this project. However, the actual reason the studio roof leaked and the screws became rusty was due to condensation forming within the roof structure, and not rain dripping and pouring in. A new roof, coated with an anti-condensation product, has now replaced the old one. So, with a dry space in which to work, I return to the project and coat each of the rusty screws with two coats of PVA to retain their integrity and history. I then mount them on a golden acrylic canvas, backed with timber, to elevate these endearing found objects, each one secured by a robust U nail…

forty rusty screws, found objects on canvas, P.R. Bennetta, 2020

The question is…

The question is… Acrylic on canvas with found object, 30 cm x 20 cm, Philip Bennetta, 2020

I like using commonplace materials, bringing found objects to the studio…

I was making steps down to the stream running by the studio and needed one last plank of timber to front the top step. I came across a sawn-off scaffold board, which had a nail-plate on one end. The metal plate was jagged at the edge, so I removed it…

When the steps were complete, I took the now twisted nail-plate to the studio and instinctively placed it on a canvas I was working on…

The question is…

Sun-day

We have just started working on our most recent edition of cyanotypes, from our home on Bodmin Moor, Cornwall, UK. The first “test” set have cooked in the sun, had a very good wash and now drying overnight. We hope to complete the main body of work by the end of the week. Here’s a selection of photographs from the site, where we are working, more later…

from Bodmin Moor…

Bodmin Moor is an Area of Outstanding Natural Beauty and designated an International Dark Sky Landscape and we have decided to make our work, during this “lock-down” year, using sunlight and moonlight.

We are fortunate to be able to work from our home, here on the moor, with a stream and footpath running alongside the garden and hedge, set in a beautiful landscape; more to follow…

tearing paper…

I had just starting to prepare the paper for our Bodmin Moor edition of Cyanotypes and blackened out the project space ready for stage 2, when I got side-tracked and watched the National Trust film we made last year. Here’s a reminder:

Trusting our 2020 edition, from our home on the moor, will be as beautiful.

Sad though not to meet and chat to all the lovely folk who come to say hello and see what we are up to.

Hoping to post this years edition very soon…